The plagiarism is shameless - and also misguided, because if nobody bought Loaded in the first place, who would want a glossy version of it? - but it’s also the charm of Squeeze because Yule and his studio cats, headed by Deep Purple drummer Ian Paice, do create something that’s a square, cheerful knock-off of Loaded, containing none of the depth or innovation, but a little bit of its sunny swing. Now, it’s not great, it may not even be good, and in many ways, it is indeed a bit of a sacrilege to what Lou, John, Sterling, and Mo created, a comparison Doug Yule courts by going out of his way to create a commercial rewrite of Loaded, almost following its flow and topics track by track. ' After Hours ' is a 1969 song written by Lou Reed 2 and originally performed by the Velvet Underground. The Best of The Velvet Underground Play all All your favorite Velvet Underground tracks are streaming now in this Best of The Velvet Underground playlist Pale Blue Eyes The Velvet. Most people have never heard the album - it’s been buried and rarely heard, so it’s been accepted as common knowledge that it’s awful and the truth is, it’s not. The Velvet Underground - The Velvet Underground© MGM Recordings 1969Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for '. Commonly regarded as an opportunistic, misguided disaster, a boneheaded attempt to carry on the legendary Velvets sound without any of the original members, the reputation of Squeeze is nothing short of abysmal - but the thing about that reputation is that it comes from people who have never heard the album. Not as bad as you might think doesn’t seem like high praise, but when it comes to Squeeze - the album Doug Yule released under the Velvet Underground’s name after the departure of Lou Reed - it kind of is. The Velvet Underground Rolling Stone Music The Velvet Underground By Lester Bangs The Velvet Underground are alive and well (which in itself may surprise some people) and. The all-time rarest version, of which just two copies are known to exist, is an April 1966 acetate containing alternate takes and mixes that was purchased at a New York sidewalk sale in 2002 for 75.
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